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Sleeping With Monsters: Readings and Reactions in Science Fiction and Fantasy (Aqueduct Press, 2017), a collection of my reviews and nonfiction, is a finalist for the 2018 Hugo Award for Best Related Work.

It’s available in paperback from Blackwell’s, Amazon.com, Amazon.co.uk, Barnes & Noble, and The Book Depository, as well as directly from Aqueduct Press. The ebook version is available directly from Aqueduct Press, as well as from  Barnes & Noble, Amazon.com, and Amazon.co.uk.

Read a long sample here.

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CITY OF ASH AND RED by Hye-Young Pyun

A new review over at Tor.com:

Though the author previously won the Shirley Jackson Award for her The Hole, City of Ash and Red belongs in the literature genre, I feel, rather than in the SFF one. It’s involved in an entirely different project than the usual run of speculative fiction novels: its concerns and its tools are literary ones. It’s a well-constructed, elegant novel whose translator has done an excellent job: the prose is deft and eloquent, the sentences compelling, the voice distinctive.

I disliked it intensely

 

Sleeps With Monsters: Science Fiction Romance from Ada Harper

A new post over at Tor.com:

I came across A Conspiracy of Whispers and A Treason of Truths by Ada Harper (also known as A.J. Hackwith) quite by accident. A friend retweeted the publication announcement for A Treason of Truths into my timeline, with commentary along the lines of “empress/spymistress science fiction romance.” As you might imagine, it rather piqued my interest.

ALICE PAYNE ARRIVES by Kate Heartfield

A new review over at Tor.com:

Alice Payne Arrives is an elegantly-written novella, precise and deft in its effects. Heartfield writes a fast and gripping story, mounting to a tense cliffhanger. But Heartfield also writes a story that’s tremendously fun, filled with humane, believable characters. I enjoyed it a hell of a lot, and I’m really, really looking forward to where Heartfield goes from here.

Sleeps With Monsters: Queer Retellings with Women

A new post over at Tor.com:

 

If you haven’t already read—or aren’t already planning to read—Aliette de Bodard’s In the Vanishers’ Palace, then I want to know what’s wrong with you. This short novel (49,000 words) is one of my favourite books of the year. It may in fact be my favourite, for the glittering precision of its worldbuilding—a postapocalyptic fantasy world ravaged by disease and decay, left that way by careless alien masters who have since vanished, in which humans and the occasional dragon build their lives amid the ruins.

MUTINY AT VESTA by R.E. Stearns

A new review over at Tor.com:

R.E. Stearns’ debut novel, Barbary Station, exploded its way close to my heart with its narrative of lesbian space engineers, pirates, and murderous AI. A measured, tensely claustrophobic narrative, it hinted that Stearns might be a voice to watch. Now in Mutiny at Vesta, Barbary Station‘s sequel, Stearns has written a worthy successor, one that makes me feel that tensely claustrophobic is the corner of slower-than-light space opera that Stearns has staked out as her playing field.

Sleeps With Monsters: Atmospheric and Compelling Stories

A new post over at Tor.com:

Due to the vagaries of e-publishing (and my personal preferences), I continue to only read Lois McMaster Bujold’s self-published novellas after Subterranean Press has picked them up and published them in gorgeous hardcover. The latest of these is Mira’s Last Dance, the fifth Penric and Desdemona novella to be published, and a direct sequel to Penric’s Mission.

THERE BEFORE THE CHAOS by K.B. Wagers

A new review over at Tor.com:

I really enjoyed There Before The Chaos. I enjoyed it even more than the last book by Wagers I read, Beyond the Empire. It’s doing similar things to the Indranan War trilogy, in its concern with both the political and the personal, but it’s taking a different emphasis, with more space dedicated to Hail’s development into a responsible empress.

I love it. Give me more.

THE PHOENIX EMPRESS by K. Arsenault Rivera

A new review over at Tor.com:

I’ve used the phrase “queer as fuck and fucking amazing” to describe at least one book already this year. But it’s also appropriate for K. Arsenault Rivera’s second novel, The Phoenix Empress, sequel to last year’s The Tiger’s Daughter. This is the kind of Dramatic Gay content that I never knew I wanted—but now that I know it exists, damn you give me more RIGHT THIS INSTANT!

Sleeps With Monsters: Disgraced Witches and Norse Mermaids

A new post over at Tor.com:

Thanks to my own peculiar interests, this is another queer-lady heavy column. Perhaps eventually it’ll get boring to keep coming across work that features women who love women—perhaps one day, we’ll reach the kind of excess that produces tedium, or at the very least complacency—but that day is not today.

ZERO SUM GAME by S.L. Huang

A new review over at Tor.com:

Zero Sum Game is enormously fun, with vivid, visceral action scenes and a main character who’s definitely on the darker, more scuffed end of the “moral shades of grey” spectrum. Huang’s taken liberal inspiration from old-fashioned noir as well as from superhero stories and the modern high-octane Hollywood-esque thriller to create a novel that’s a souped-up blend of all three. I really enjoyed it. I recommend it, and I’m definitely looking forward to seeing more of Huang’s work reach a wider audience.

Sleeps With Monsters: New and Upcoming Books Featuring Ladies Who Love Ladies

A new post over at Tor.com:

You may have noticed that I’m very interested in books with queer female protagonists. Everything, as a friend of mine said once, is better with lesbians—though I’d just say women who love women, myself.

I suspect some of you reading here have a degree of overlap with this interest of mine. So let me share with you some of the new and forthcoming science fiction and fantasy novels where I’m reliably informed there are queer female protagonists, and where I’m reliably informed that their queerness doesn’t end in tragedy.

EXIT STRATEGY by Martha Wells

A new review over at Tor.com:

Murderbot novellas are usually a joy to read. Exit Strategy becomes even more of a joy to read in the emotional climax and dénouement, after the shooting is done and Murderbot is putting itself back together and having conversations while the Murderbot equivalent of woozy and concussed. It nearly died. Those were some poor life choices.

THE SISTERS OF THE WINTER WOOD by Rena Rossner

A new review over at Tor.com:

The Sisters of the Winter Wood is largely measured in its pacing (one might call it slow), save for those moments where everything happens all at once. It is, perhaps, a promising debut. I wish I’d liked it more, because I really feel the genre needs more fantasy that draws on explicitly Jewish (and Muslim) backgrounds in the face of the pull that Christian soteriological and teleological influences exert on the literature of the fantastic. I hope it finds an audience.

Alas, that audience is not me.

ROSEWATER by Tade Thompson

A new review over at Tor.com:

At first glance, Rosewaters setting, its mixture of mysticism and science, and its overall themes—communication, trust, the unknowable alien and irreversible transformations—recalls the work of another award-winning author of Nigerian extraction: Nnedi Okorafor’s acclaimed Lagoon (Hodder, 2014; Saga Press, 2016). But in terms of structure, characterisation, and tone, Rosewaters an entirely different beast. It reminds me a little of Elizabeth Bear’s Jenny Casey trilogy, and a little, too, of Ian McDonald. It’s not really into soft edges.

STATE TECTONICS by Malka Older

A new review over at Tor.com:

We can play the same game of semantic nuance with the title of State Tectonics. “Tectonics” is a word for the structure and properties of the Earth’s crust and its development over time: a development that can be slow and incremental (the growth of mountain ranges, the changing shapes of continents) or provide sudden violent shocks that intrude into human experience: volcanoes and earthquakes are also the result of tectonic processes. And “state,” as a noun, can either mean a particular condition that something or someone is in at any given time, or it can refer to a political entity united under a government.

The events of State Tectonics bring all the aspects of this wordplay to the fore. Human society is never exactly static, and in State Tectonics change both incremental and shocking is underway…