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Sleeping With Monsters: Readings and Reactions in Science Fiction and Fantasy (Aqueduct Press, 2017), a collection of my reviews and nonfiction, is a finalist for the 2018 Hugo Award for Best Related Work.

It’s available in paperback from Blackwell’s, Amazon.com, Amazon.co.uk, Barnes & Noble, and The Book Depository, as well as directly from Aqueduct Press. The ebook version is available directly from Aqueduct Press, as well as from  Barnes & Noble, Amazon.com, and Amazon.co.uk.

Read a long sample here.

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THE FAIRIES OF SADIEVILLE by Alex Bledsoe

A new review over at Tor.com:

Bledsoe’s prose, as always, is carefully precise and elegantly measured, a delight to read. But The Fairies of Sadieville feels more scattered and less unified than his previous Tufa novels, without—it seems to me—a compelling through-line to draw the whole work together. Thematically and in terms of characterisation, the book feels slight, lacking the depth of its predecessors. Its strands are woven together without the deftness of connection that I hope for in a Bledsoe book, failing to support each other for the maximum tension or strength of feeling. It’s not quite all that one desires in the capstone volume of a series with the Tufa series’ strengths.

Sleeps With Monsters: Professor Marston and the Wonder Women

A new column over at Tor.com:

This week, I’d like to talk about a film that qualifies as SFF either tangentially or by association, and which I enjoyed enormously. If Argo counts as SFF enough to find itself on the Best Dramatic Presentation Hugo ballot, then surely Professor Marston and the Wonder Women is sufficiently close to speculative fiction for our purposes.

THE BARROW WILL SEND WHAT IT MAY by Margaret Killjoy

A new review over at Tor.com:

Killjoy’s prose is clean and precise, elegantly atmospheric. The Barrow Will Send What It May is a brisk and entertaining read, and I recommend it. It’s complete in itself, but it feels like a continuing installment of an ongoing adventure—and I hope this means that there will be more Danielle Cain novellas to come.

Hugo Award Nomination for SLEEPING WITH MONSTERS

Nominated for the 2018 Best Related Work Hugo Award.

 

Sleeping With Monsters: Readings and Reactions in Science Fiction and Fantasy (Aqueduct Press, 2017) has been nominated for the Hugo Award for Best Related Work. I’m thrilled to be in the company of so many excellent nominees.

You can read a sample from the book over at Aqueduct Press. And you can buy it in paperback from Blackwell’s, Amazon.com, Amazon.co.uk, Barnes & Noble, and The Book Depository, as well as directly from Aqueduct Press themselves.

The ebook version is available directly from Aqueduct Press, as well as from  Barnes & Noble, Amazon.com, and Amazon.co.uk.

 

 

THE QUEENS OF INNIS LEAR by Tessa Gratton

A new review over at Tor.com:

There have been many fantasy treatments of Shakespeare’s The Tempest, several on A Midsummer Night’s Dream, and even one or two (I believe) on Coriolanus, but this is the first novel I recall to deliver a fantastical take on The Tragedy of King Lear.

 

Though it must be said my appreciation for the book was rather tainted by reports of Gratton’s objectionable behaviour.

Sleeps With Monsters: Comfort Reading

A new post over at Tor.com:

Last month, I went looking for comfort reading. It turns out that my comfort reading at this point in time can be divided into two: pulpy space opera after the manner of David Drake’s RCN novels, and SFF stories in which queer women feature prominently and get to be a combination of (a) successful, (b) happy, and (c) in relationships with each other. I’m going to talk about a couple of the latter today, because although I’ve looked high and low…

…Well, there’s not much that combines the two, is there?

Sleeps With Monsters: Annihilation is Amazing, and Full of Women

A new column over at Tor.com:

Annihilation is luminous. It’s dizzying and visionary and strange, a balletic question with no certain answer, peculiar and horrifying and layered and gorgeous, and lit from within with its own artistic vision: unified, structurally and thematically, in a way that few Hollywood films ever are. It’s a film that speaks with its silences, embraces them. It layers implication, symbolic meaning, from the opening shot of a dividing and re-dividing cell—revealed by Natalie Portman’s Lena in a lecture to her students to be a tumour cell—to its asides about grief and self-destruction, and from the horrifying wonders (and bewildering horrors) of the Shimmer to the fact that the film is subtly framed as Lena’s narrative, and all things considered (“Lena is a liar,” as Anya Thorensen, played with brilliant intensity by Gina Rodriguez, says in a moment fraught with psychological horror), we can’t be entirely sure about our narrator’s reliability.

STONE MAD by Elizabeth Bear

A new review over at Tor.com:

In 2015’s Karen Memory, Elizabeth Bear introduced us to Karen and her compelling, colloquial storyteller’s voice. Stone Mad follows on from that story, with Karen recovered from her injuries and enjoying a nice dinner out at a fancy hotel with her lover and partner Priya before they move into the farmhouse they’ve bought together. But events, in the form of a pair of travelling Spiritualist sisters, rather intervene…

Sleeps With Monsters: Feeling and Faith in The Wonder Engine by T. Kingfisher

A new column over at Tor.com:

I’ve only ever read a handful of books that treat the question of religion in fantasy with any serious weight. The presence or absence of gods and their powers, the (un)knowability of divine things, the question of whether or not one can get, or understand, an answer from a god—the question of whether, if you’ve given your fealty to a god, it matters if you understand the use said god makes of you—is not a question that fantasy in general deals with in great detail, even—or perhaps especially—in those works that take the existence of gods for granted.

Sleeps With Monsters: Awards Season (or, Some Things I’m Nominating for the Hugos in the Fiction Categories)

A new post over at Tor.com:

I thought I’d share with you some of the things I intend to nominate in the fiction categories, just in case anyone feels like they want to discuss literary merits vs. popularity in non-juried awards. I’m not going to share more than two or three things in a category: these are as much ideas for discussion as they are recommendations. There’s so much out there that’s good that even a much longer list will exclude some amazing work.

THE WARRIOR WITHIN by Angus McIntyre

A new review over at Tor.com:

On a backwater planet whose inhabitants live parochial lives surrounded by the artefacts and wreckage of a long-vanished civilisation, a somewhat-disinterested religious autocracy dispenses subsistence wages and food for devotion and prayer—or salvaged artefacts—at their technological Temples. The head of each Temple is called the Muljaddy, and they’re all part of one single family, and the Temples—which are sometimes moved—are strung out along the length of a Road through a wasteland landscape, around which towns grow and falter, and along which people occasionally move.

Sleeps With Monsters: Fighting For Better Futures

A new post over at Tor.com:

I’m also looking forward to seeing more work by Karen Healey and Robyn Fleming, who recently funded their first co-written novel The Empress of Timbra through Kickstarter. (It’s now widely available as an epub.) Healey has form: her previous solo novels (like Guardians of the Dead and While We Run) were well-received SFF YA. This first offering from the Healey-Fleming team, though, while certainly YA-friendly, feels a lot more like epic fantasy: the epic fantasy of yesteryear, where young people go out into the world and learn complicated lessons.

STARFIRE: MEMORY’S BLADE by Spencer Ellsworth

A new review over at Tor.com:

Memory’s Blade is a fast, punchy story that packs an awful lot of boom into a relatively small space. It wraps up the whole Starfire storyline in a series of surprising revelations, startling choices, and complicated emotions.

But like its predecessors in this trilogy, I can’t help feeling that Memory’s Blade takes a bit too much of a breakneck approach to pacing.

 

Sleeps With Monsters: Looking (Queerly) Back On Season One of Star Trek: Discovery

A new post over at Tor.com:

I’m still not sure how I feel about Star Trek: Discovery at the close of this first season. I’m not alone in that: in a season filled with excellent performances, rushed narrative arcs, peculiar (and sometimes predictable) choices, and a criminal neglect of the Klingon politics that the first two episodes primed us to look for, it’s hard to know which side of the scales is more heavily weighted.

Sleeps With Monsters: Old Influences and New Impressions

A new column over at Tor.com (two this week!):

I may be a sucker for a good Dr. Watson, or maybe Claire O’Dell (an open pseudonym for Beth Bernobich) has just written a hell of a good novel, because A Study in Honor (Harper Voyager, forthcoming July 2018) turns out to be one of those books I find impossible to put down. I want the sequel immediately.

Sleeps With Monsters: The Women of Black Panther Are Amazing

A new column (on a Monday! extra column this week) over at Tor.com:

[Black Panther]’s also a film that, while it centres on a man—and on questions of kingship, legitimacy, and responsibility—is the first superhero film I’ve ever seen to surround its main male character with women who are in many ways equally powerful, and who don’t depend on him for purpose or characterisation. No, seriously: this is the first superhero film I’ve ever seen—maybe the first SFF film I’ve ever seen—where pretty much the hero’s entire back-up team, his entire support network, were women. Women who teased him and challenged him and demanded he do better.

PRIDE AND PROMETHEUS by John Kessel

A new review over at Tor.com:

This is a fine, measured novel, deeply interested in the social conditions and conventions of its setting, and deeply interested, too, in human nature and human frailty.

It’s not nearly as fun as Theodora Goss’s The Strange Case of the Alchemist’s Daughter (Saga, 2017), which is working with some of the same influences—revisioning 19th-century popular fiction from a point of view that emphasises women’s choices and agency, and which interrogates the assumptions of the original texts.