Linky will sing to you about starships

Except maybe not today. You don’t want me to sing.

Niall Harrison at Strange Horizons releases the 2012 SF Count:

VIDA started it. In 2010, they published the first iteration of “The Count”, a straightforward analysis of how literary coverage is affected by gender. For a range of notable publications, VIDA calculated the proportion of books reviewed that were by women, and the proportion of reviewers that were women, and published pie charts illustrating their findings. They published similar analyses for 2011 and, most recently, for 2012. Each year, a consistent imbalance has been observed: more books by men are reviewed, and more book reviewers are men.

Following VIDA’s lead, for the past two years Strange Horizons has published “SF counts”, looking at the same parameters as VIDA for speculative fiction review venues.

…This article presents the results of the SF count for 2012.

Cécile Christofari, “Tourism, From Inside and Out”:

[I]it’s always very surprising to hear that the place where you live is not authentic enough. I don’t know what that makes of its inhabitants—am I supposed to be a paid extra, or something?

Nalo Hopkinson in the Los Angeles Review of Books, with a review of Karen Lord’s The Best of All Possible Worlds:

KAREN LORD’S NOVEL The Best of All Possible Worlds put me in mind of Junot Díaz’s brilliant novel The Brief Wondrous Life of Oscar Wao. Not stylistically: while Oscar Wao is an experimental pelau of modes served up in Díaz’s distinctly Dominicano and in-your-face voice, The Best of All Possible Worlds is a beautiful shape-shifter. It reads like smooth jazz comfort food, deceptively familiar and easy going down, but subtly subversive.