Yasmine Galenorn, Bone Magic and Harvest Hunting. Berkley, 2010.
Oh, the terribleness of these books. Such terribleness. Such angst. Such faerie/werewolf/magic/vampire/poly/queer sex. It’s kind of glorious, in an utterly terrible all-the-urban-fantasy-clichés way.
C.J. Redwine, Defiance. Atom, 2012.
Can’t remember who told me I should read this. They weren’t exactly right. Bog-standard YA dystopia narrative, clearly drawing on John’s Apocalypse/millenarian reified symbols for its setting (not as imaginatively as Faith Hunter’s debut trilogy, alas), with a little too much illogical specialness thrown in. Not my sort of book, but probably appeals to the Divergent readership.
Elizabeth Bear, One-Eyed Jack. Prime, 2014.
An excellent urban fantasy set in 2002 Las Vegas, that plays with metafictionality while never breaking the fourth wall. Well recommended.
Laurie R. King, The Beekeeper’s Apprentice, or, On the Segregation of the Queen. St. Martin’s Press, 1994. This edition Picador 2014.
Why did no one ever hit me over the head with the amazingness that is this book before? IT IS BRILLIANT GIVE ME ALL THE SEQUELS NOW.
In conclusion, Elizabeth Bear and Laurie R. King write damn good books.