Sleeps With Monsters: Stolen Tomatoes and Undead Deer

A new column over at Tor.com:

Ursula Vernon’s writing is filled with compassion, weird shit, and sharply observed humour: in some ways, much of her short fiction and most of her novels as T.K. Kingfisher is reminiscent of Terry Pratchett at his best. (One could call her an American, feminist Terry Pratchett — but that would do her a disservice: Vernon is very much her own unique self as a writer and an artist.)

SLEEPING WITH MONSTERS: Learning to Read Critically

Over at Tor.com, I have a post up about my Sleeping With Monsters: Readings and Reactions in Science Fiction collection, “Learning to Read Critically:”

Learning to read critically is an interesting process. You find you can’t turn it off unless you try really hard: you’re always paying attention to what kind of work the narrative is doing, and what sort of thing it’s setting itself up to be. You learn to recognise what particular works are interested in, and the shape of the story they’re telling. In many cases, you can tell what sort of book any given volume’s going to be—good, bad, indifferent, actively offensive; whodunnit or military-focused or romance or thriller or coming of age—within the first few pages.

 

Sleeping With Monsters is available now in paperback and electronic versions from Aqueduct Press. You can buy it there or from:

The Book Depository

Amazon.co.uk

Amazon.com

And more places as I become aware of them. (There’s no listing on Barnes and Noble yet, or on Chapters for Canada.)

So far, Aqueduct Press is the only place where the ebook edition is available. But I’m pretty sure that’ll change.

Sleeps With Monsters: Older Women and TOMORROW’S KIN

A new column over at Tor.com:

Science fiction is rarely great at depicting older women: it seldom does, and when it does, rarely does it seem interested in them as women—with grown children, family issues, rich inner lives, friends and relationships both platonic and sexual—as opposed to ciphers. When I find a book that does depict an older woman well, and moreover puts her in a central role, in the narrative forefront—well, that’s a special occasion.

Sleeps With Monsters: Science Fictional Democracy in Malka Older’s Infomocracy

A new column over at Tor.com:

I’m really late to the party when it comes to Malka Older’s astonishing debut Infomocracy. It came out last year to no small degree of fanfare and acclaim. It was a finalist on the Locus Best First Novel list as well as featuring in several “Best of 2016” lists.

I can’t believe I missed it. On the other hand, this does mean I don’t have nearly as long to wait for the sequel. (Null States, forthcoming in September.)

Sleeps With Monsters: Teeth and Gods and Hearts

A new column over at Tor.com:

Nicky Drayden’s The Prey of Gods is an interesting debut. Part science fiction, part fantasy, it situates itself in Port Elizabeth, South Africa. Its cast involves one teenage boy in love with his best (male) friend, one sort-of demigoddess who wants to rule the world and who feeds on pain and suffering, one child demigoddess whose township tries to lynch her and who (mostly not on purpose) kills them all trying to protect herself, one pop diva with serious issues, one pretty effective mayor who wants to be a performer and whose mother is a bit on the smothering-controlling side of things (but with a magical twist to the controlling element), and one robot/robot collective that’s gained sentience and has a split of opinion on whether or not humans should be preserved or exterminated. Its climax includes giant robots fighting giant genetically-modified animals as part of a battle in which godly powers are involved.

 

Sleeps With Monsters: Tanya Huff’s A PEACE DIVIDED

A new column over at Tor.com:

Tanya Huff’s A Peace Divided is the second novel in her new space opera series, set in the same universe as her Valor novels, and starring former Marine Gunnery Sergeant Torin Kerr. The war is over, but that’s just released a lot of well-trained, battle-scarred survivors back into the general population. Someone with the appropriate training and mindset to deal with violence needs to be part of civilian law enforcement, and as it turns out, Torin Kerr and her crew of (mostly) former Marine misfits are reasonably well-suited to the demands of the job.

Sleeps With Monsters: Roses and Portals

A new column over at Tor.com:

One of the delightful things about Kingfisher’s protagonists is just how practical they are. Bryony and Roses is the story of a very practical gardener, the titular Bryony, who stumbles into a magical manor house in the middle of an unexpected snowstorm. This brings her face to face with its Beast, labouring—though Bryony doesn’t yet know it—under a curse. Matters proceed in fairytale fashion from there, albeit with Kingfisher’s own unique twists on fairytale matters.

 

Sleeps With Monsters: Thorns and Wings and Dragons

A new column over at Tor.com:

Aliette de Bodard’s The House of Binding Thorns and Michelle Sagara’s Cast in Flight don’t, on the surface, have much in common. One is a gothic, atmospheric novel of treachery and politics set in a decaying Paris, deeply interested in the politics of family and community and colonialism; while the other is a second-world urban fantasy novel starring a beat cop whose fun, light voice conceals some deeper thematic concerns with class and privilege, growing up and belonging.

Sleeps With Monsters: Katabasis and Anabasis

A new column over at Tor.com:

Katabasis and anabasis are the words that come to mind when it comes to Zoraida Cordova’s Labyrinth Lost and Erin Bow’s The Scorpion Rules, books which I read back-to-back. They share some similarities—they are both about young bisexual women discovering the truth of their worlds and learning to claim and use their power, political or otherwise, and they’re both marketed as YA—but they are very different books.

Sleeps With Monsters: Thoughts on the 2017 Hugo Awards Ballot

A new column over at Tor.com:

This year is a historic one for the Hugo Awards in more ways than one. In addition to the changes to the awards process, this is the first year in which the Best Novel nominees have been so completely devoid in white men. It may also be the first year in which more than one out trans author received a Best Novel nomination for their work.