Sleeps With Monsters: My Year In Queer

A new post over at Tor.com:

Are we reaching some kind of critical mass this year in terms of queer content in books published by mainstream SFF imprints? Where queer people have a central role to play, and where, moreover, being queer does not end universally badly? Maybe it’s just me, but it seems that this year—including some novels I’ve read that aren’t published quite yet—is a banner year.

Sleeps With Monsters: Power Ballads and Professionals

A new post over at Tor.com:

Meera is utterly in love with her boss. She thinks she’s got a really bad crush on a straight girl. What she doesn’t realise is that her feelings are requited. This is a story about how awkward it is to figure out whether or not you can have a relationship with your boss—or with your employee—while investigating the bizarre thefts of dresses designed by a cult fashion designer, including one from off the back of his widow, and also falling off rooftops. (Carina finds being the Skeleton relaxing compared to being in the spotlight.) The awkward dance of does-she-like-me? does-she-like-me-back? is complicated by Meera’s many ex-girlfriends, with all of whom Meera still seems to be on good terms, and who are, to quote Carina, “really thirsty.”

Sleeps With Monsters: The Cold Blade’s Finger

A new column over at Tor.com:

I want to rave about Elizabeth Bear’s The Stone in the Skull. Actually, it feels like I need to rave about it: a glorious, dramatic, lush and striking fantasy set in the same continuity as the Eternal Sky trilogy (Range of Ghosts, Shattered Pillars, and The Steles of the Sky), with a brilliant cast of characters and an opening that involves an ice wyrm attacking a caravan on its way up a frozen river. It’s no exaggeration to say I was hooked from the first page.

NULL STATES by Malka Older

Reviewed over at Tor.com:

This is a story about governance and governing, about power and systems, and the edges of both—the parts where they break, and warp, and potentially break down. Older’s gift is to make those systems fascinating and human: relevant, and easy to grasp. Well, one of her gifts: she has great skill with evoking place and its complicated histories, when her characters stay in one location long enough.

Sleeps With Monsters: The Weird West of Wynonna Earp

A new column over at Tor.com:

I didn’t know I needed a weird modern Western—complete with curses, demons, and complicated family dynamics—in my life. But apparently I didn’t know what I was missing! It turns out that this is exactly what I wanted, when it comes in the form of SEVEN24/IDW Entertainment’s Wynonna Earp, created by Emily Andras, based on the comic by Beau Smith, and starring Melanie Scrofano as the eponymous Wynonna.

Sleeps With Monsters: Flying Beasts and Complicated, Amazing Woldbuilding

A new column over at Tor.com:

It all comes down to worldbuilding. Delightful, amazing worldbuilding. This is a world in which magic—the Slack, which trained people can use to manipulate the elements—co-exists with technological development. Increasing technological development in the hands of the Machinists has lead to conflict, because the magicians—”Tensors”—understand that their monopoly on doing certain things will be challenged by these developments.

Sleeps With Monsters: Peculiar Heroines

A new column over at Tor.com, that I am behind in telling you about:

 

At this time of year, perhaps we should talk about award lists and award winners—but really, I’d rather talk about the entertaining stuff that hasn’t made it onto the award lists. Like Sarah Kuhn’s Heroine Complex and its sequel, Heroine Worship. I missed Heroine Complex when it came out last year, but I’m glad to have been able to catch up on these two unique entries in the superhero(ine) subgenre. Well, unique as far as I can tell: there aren’t that many superhero stories that star Asian-American women and mix soap opera, action, and comedy.

Sleeps With Monsters: Stolen Tomatoes and Undead Deer

A new column over at Tor.com:

Ursula Vernon’s writing is filled with compassion, weird shit, and sharply observed humour: in some ways, much of her short fiction and most of her novels as T.K. Kingfisher is reminiscent of Terry Pratchett at his best. (One could call her an American, feminist Terry Pratchett — but that would do her a disservice: Vernon is very much her own unique self as a writer and an artist.)

SLEEPING WITH MONSTERS: Learning to Read Critically

Over at Tor.com, I have a post up about my Sleeping With Monsters: Readings and Reactions in Science Fiction collection, “Learning to Read Critically:”

Learning to read critically is an interesting process. You find you can’t turn it off unless you try really hard: you’re always paying attention to what kind of work the narrative is doing, and what sort of thing it’s setting itself up to be. You learn to recognise what particular works are interested in, and the shape of the story they’re telling. In many cases, you can tell what sort of book any given volume’s going to be—good, bad, indifferent, actively offensive; whodunnit or military-focused or romance or thriller or coming of age—within the first few pages.

 

Sleeping With Monsters is available now in paperback and electronic versions from Aqueduct Press. You can buy it there or from:

The Book Depository

Amazon.co.uk

Amazon.com

And more places as I become aware of them. (There’s no listing on Barnes and Noble yet, or on Chapters for Canada.)

So far, Aqueduct Press is the only place where the ebook edition is available. But I’m pretty sure that’ll change.

Sleeps With Monsters: Older Women and TOMORROW’S KIN

A new column over at Tor.com:

Science fiction is rarely great at depicting older women: it seldom does, and when it does, rarely does it seem interested in them as women—with grown children, family issues, rich inner lives, friends and relationships both platonic and sexual—as opposed to ciphers. When I find a book that does depict an older woman well, and moreover puts her in a central role, in the narrative forefront—well, that’s a special occasion.