LIES SLEEPING by Ben Aaronovitch

A new review over at Tor.com:

Lies Sleeping is the latest instalment in Ben Aaronovitch’s Peter Grant series of magical murder mysteries, set in London and featuring a London Metropolitan police force that really doesn’t want to have to admit that magic exists. Lies Sleeping is the seventh full-length novel in a series that also encompasses several graphic novels and at least one novella. Peter Grant’s London has depth, breadth, and a complex array of recurring characters, and every one of the novels can be relied on to start with a bang.

 

EMPIRE OF SAND by Tasha Suri

A new review over at Tor.com:

Empire of Sand is an astonishingly accomplished debut, set in a richly realised world. It’s a novel about power and about colonialism. It’s a novel about unequal power relationships, and about the abuse of power. It’s a novel about trust and its lack, about choices and compromises. And at its heart, it’s a novel about compassion: about the risks, and the rewards, of choosing to be kind.

CITY OF ASH AND RED by Hye-Young Pyun

A new review over at Tor.com:

Though the author previously won the Shirley Jackson Award for her The Hole, City of Ash and Red belongs in the literature genre, I feel, rather than in the SFF one. It’s involved in an entirely different project than the usual run of speculative fiction novels: its concerns and its tools are literary ones. It’s a well-constructed, elegant novel whose translator has done an excellent job: the prose is deft and eloquent, the sentences compelling, the voice distinctive.

I disliked it intensely

 

ALICE PAYNE ARRIVES by Kate Heartfield

A new review over at Tor.com:

Alice Payne Arrives is an elegantly-written novella, precise and deft in its effects. Heartfield writes a fast and gripping story, mounting to a tense cliffhanger. But Heartfield also writes a story that’s tremendously fun, filled with humane, believable characters. I enjoyed it a hell of a lot, and I’m really, really looking forward to where Heartfield goes from here.

MUTINY AT VESTA by R.E. Stearns

A new review over at Tor.com:

R.E. Stearns’ debut novel, Barbary Station, exploded its way close to my heart with its narrative of lesbian space engineers, pirates, and murderous AI. A measured, tensely claustrophobic narrative, it hinted that Stearns might be a voice to watch. Now in Mutiny at Vesta, Barbary Station‘s sequel, Stearns has written a worthy successor, one that makes me feel that tensely claustrophobic is the corner of slower-than-light space opera that Stearns has staked out as her playing field.

THERE BEFORE THE CHAOS by K.B. Wagers

A new review over at Tor.com:

I really enjoyed There Before The Chaos. I enjoyed it even more than the last book by Wagers I read, Beyond the Empire. It’s doing similar things to the Indranan War trilogy, in its concern with both the political and the personal, but it’s taking a different emphasis, with more space dedicated to Hail’s development into a responsible empress.

I love it. Give me more.

THE PHOENIX EMPRESS by K. Arsenault Rivera

A new review over at Tor.com:

I’ve used the phrase “queer as fuck and fucking amazing” to describe at least one book already this year. But it’s also appropriate for K. Arsenault Rivera’s second novel, The Phoenix Empress, sequel to last year’s The Tiger’s Daughter. This is the kind of Dramatic Gay content that I never knew I wanted—but now that I know it exists, damn you give me more RIGHT THIS INSTANT!

ZERO SUM GAME by S.L. Huang

A new review over at Tor.com:

Zero Sum Game is enormously fun, with vivid, visceral action scenes and a main character who’s definitely on the darker, more scuffed end of the “moral shades of grey” spectrum. Huang’s taken liberal inspiration from old-fashioned noir as well as from superhero stories and the modern high-octane Hollywood-esque thriller to create a novel that’s a souped-up blend of all three. I really enjoyed it. I recommend it, and I’m definitely looking forward to seeing more of Huang’s work reach a wider audience.

EXIT STRATEGY by Martha Wells

A new review over at Tor.com:

Murderbot novellas are usually a joy to read. Exit Strategy becomes even more of a joy to read in the emotional climax and dénouement, after the shooting is done and Murderbot is putting itself back together and having conversations while the Murderbot equivalent of woozy and concussed. It nearly died. Those were some poor life choices.

THE SISTERS OF THE WINTER WOOD by Rena Rossner

A new review over at Tor.com:

The Sisters of the Winter Wood is largely measured in its pacing (one might call it slow), save for those moments where everything happens all at once. It is, perhaps, a promising debut. I wish I’d liked it more, because I really feel the genre needs more fantasy that draws on explicitly Jewish (and Muslim) backgrounds in the face of the pull that Christian soteriological and teleological influences exert on the literature of the fantastic. I hope it finds an audience.

Alas, that audience is not me.

ROSEWATER by Tade Thompson

A new review over at Tor.com:

At first glance, Rosewaters setting, its mixture of mysticism and science, and its overall themes—communication, trust, the unknowable alien and irreversible transformations—recalls the work of another award-winning author of Nigerian extraction: Nnedi Okorafor’s acclaimed Lagoon (Hodder, 2014; Saga Press, 2016). But in terms of structure, characterisation, and tone, Rosewaters an entirely different beast. It reminds me a little of Elizabeth Bear’s Jenny Casey trilogy, and a little, too, of Ian McDonald. It’s not really into soft edges.

STATE TECTONICS by Malka Older

A new review over at Tor.com:

We can play the same game of semantic nuance with the title of State Tectonics. “Tectonics” is a word for the structure and properties of the Earth’s crust and its development over time: a development that can be slow and incremental (the growth of mountain ranges, the changing shapes of continents) or provide sudden violent shocks that intrude into human experience: volcanoes and earthquakes are also the result of tectonic processes. And “state,” as a noun, can either mean a particular condition that something or someone is in at any given time, or it can refer to a political entity united under a government.

The events of State Tectonics bring all the aspects of this wordplay to the fore. Human society is never exactly static, and in State Tectonics change both incremental and shocking is underway…

THE ACCIDENTAL WAR by Walter Jon Williams

A new post over at Tor.com:

For much of its length, The Accidental War feels more like a fantasy of manners—science fiction Regency-style—than the military space opera that I remember from Dread Empire’s Fall. Events move with measured inevitability. Tension lies more in social invitations and sporting events, in who goes where and who knows what when than in action and shooting. But this slow build is entirely worthwhile.

 

TERRA NULLIUS by Claire G. Coleman

A new post over at Tor.com:

Terra Nullius is a tremendously accomplished book. It’s Claire G. Coleman’s first novel, and since its 2017 publication in Australia, it’s been shortlisted for several awards and won at least two. Coleman is an indigenous Australian Noongar woman, and Terra Nullius is a story about settlement, about cultural erasure, genocide, exploitation, suffering.

TEMPER by Nicky Drayden

A new review over at Tor.com:

Temper is Nicky Drayden’s second novel. Her first novel, The Prey of Gods, was a weird and inventive thriller that combined fantasy and science fictional elements. Temper is a standalone work in a new setting, one that involves fantasy, religion, and a touch of steampunk SF. This review will contain spoilers, because there’s absolutely no way to talk about even half of this book without them—much less the more interesting half.