AMNESTY by Lara Elena Donnelly

A new review over at Tor.com:

Lara Elena Donnelly’s Amberlough series, which began in 2017’s Amberlough, continued with last year’s Armistice, and concludes (it seems) in this latest volume, Amnesty, has always focused on complicated people whose ethics are at best extremely flexible and at worst practically non-existent. None of these characters are good people: most of them are fundamentally selfish, frequently ambitious, and guided primarily by what they want, rather than any idea of their responsibility to other people. (Even their love affairs are, at root, fundamentally selfish.)

So it’s quite a triumph of craft that, nonetheless, Donnelly is able to make many of her characters understandable, relatable, and even sympathetic.

ARMISTICE by Lara Elena Donnelly

A new review over at Tor.com:

Where Amberlough spiralled down into tight, claustrophobic tragedy, Armistice opens up with the promise of change. It teases with the idea that personal happiness is possible for its protagonists, and the idea that a fascist regime may be opposed—may not, after all, last forever. That makes Armistice a rather easier book to read than Amberlough: less harrowing and less tragic in the Shakespearean sense. It doesn’t hurt than Donnelly paces her twists and revelations very well, creating a remarkably smooth narrative experience.