I promise, I’ll try to be original again soon.
Malinda Lo, On Space Opera: Why so many brothels in space?
So what’s with all the brothels? Because whenever I think of brothels, I think of one question: Who are the women working there? There was no indication in Leviathan Wakes that there were male prostitutes, even though one of the (male) main characters worked as a cop and seemed to have a lot (a lot!) of contact on the job with prostitutes. I’m gonna guess that sure, there might be male prostitutes, but the majority are probably female.
So who are these prostitutes? What kind of a future world is it that permits so much prostitution? Are the prostitutes regulated? Do they have health insurance? Are they part of worker-owned collectives so they don’t have to deal with pimps?
Foz Meadows, A Rule of Thumb for Escapism:
All of which is a way of saying that the big schism in SFF no more between leftwingers and rightwingers than it is between realists and escapists: rather, it’s between those for whom escapism is an extension of privilege, and those for whom escapism is a means of furthering representation. But even then, that’s far from being a binary position: there are many different kinds of privilege, after all, and in accordance with the principles of intersectionality, possessing one type of privilege doesn’t prevent one from lacking another. It’s simply a question of escapism: from what, into what, and above all, why.
Foz Meadows (is on fire lately), Sexism At Fantasy Book Café:
Let me get this straight: the way to get rid of sexism is to stop talking about gender? That’s like saying that the way to prevent STDs is to stop talking about sex: in both instances, the latter concept is integral to any meaningful discussion of the former problem, such that omitting it would render the entire exercise moot. And don’t even get me started on the pervasive cissexism of constantly defining gender in terms of plumbing and underwear: the issue at hand is concerns brains, not bodies, and trying to boil it all down to descriptions of bits is both childish and incredibly problematic.
Natalie at Radish Reviews, Over the Borderline: More on Genre, Gender, and Reviews:
This conversation about review coverage and gender parity isn’t about discrimination against specific authors–it’s about systemic discrimination. In short: the game is rigged and it needs to be un-rigged.