Sleeps With Monsters: Vivian Shaw Answers Seven Questions

A new column over at Tor.com:

LB: Let’s start with a basic question. Strange Practice’s main character is a doctor who operates a clinic specialising in “monsters”—from mummies and vampires to ghouls and banshees. What’s the appeal of having a physician for an urban fantasy protagonist?

VS: Partly it’s because I love writing clinical medicine. I wanted to be a doctor way back in the Cretaceous but never had the math for it, and I read medical textbooks for fun, so getting to come up with a whole new set of physiologies and the consequent diseases is an endless source of pleasure. Storywise—it’s competence porn. Watching a doctor do what they’re good at is exciting the way watching a lawyer argue or a pianist play is exciting to me, and I love being able to put that kind of easy I-got-this expertise into my books. It’s deeply satisfying to write about people doing things I can’t actually do myself.

KA: DAR OAKLEY IN THE RUINS OF YMR by John Crowley

A new review over at Tor.com that I am belated about sharing, because I spent the weekend in Limerick:

Ka: Dar Oakley in the Ruin of Ymr is the most baffling novel I can remember reading. (It may not be the most baffling book, but that’s because I worked my way through Pierre Bourdieu’s The Logic of Practice and Outline of a Theory of Practice, the latter of which contains an oxymoron in its very title). At the prose level, it’s beautiful. Thematically, it seems to be a story about stories and, perhaps, also about death: about change and changelessness.
Buy it Now

Maybe. I’m not sure.

THE TETHERED MAGE by Melissa Caruso

Reviewed over at Tor.com:

The characters in The Tethered Mage are a delight and a joy. Although it’s told in the first person from Amalia’s point of view, the other characters come through sharply, as whole people with their own ideas and concerns—even if Amalia, as a narrator, doesn’t have a full picture of what’s going on. Zaira’s confrontational, brash, and complex. Her confrontational approach comes in part from a history of pain. The slow dance of prickly mistrust that grows into co-operation and eventual friendship—well, sort of friendship—between her and Amalia is one of the novel’s delights, along with Zaira’s pragmatism and her snark.

Sleeps With Monsters: My Year In Queer

A new post over at Tor.com:

Are we reaching some kind of critical mass this year in terms of queer content in books published by mainstream SFF imprints? Where queer people have a central role to play, and where, moreover, being queer does not end universally badly? Maybe it’s just me, but it seems that this year—including some novels I’ve read that aren’t published quite yet—is a banner year.

Sleeps With Monsters: Power Ballads and Professionals

A new post over at Tor.com:

Meera is utterly in love with her boss. She thinks she’s got a really bad crush on a straight girl. What she doesn’t realise is that her feelings are requited. This is a story about how awkward it is to figure out whether or not you can have a relationship with your boss—or with your employee—while investigating the bizarre thefts of dresses designed by a cult fashion designer, including one from off the back of his widow, and also falling off rooftops. (Carina finds being the Skeleton relaxing compared to being in the spotlight.) The awkward dance of does-she-like-me? does-she-like-me-back? is complicated by Meera’s many ex-girlfriends, with all of whom Meera still seems to be on good terms, and who are, to quote Carina, “really thirsty.”

THE BLOODPRINT by Ausma Zehanat Khan

A new review, over at Tor.com:

I wanted to like it [The Bloodprint] more than I did. In terms of voice, characterisation, and prose style, it feels not quite cooked yet: it only begins to feel like it gels together into something greater than the sum of its disparate parts in the last 100 pages (quite late for 400-page-plus book), just in time for it to cliffhanger on the way to volume two. I’m an old and jaded critic, and I have come to prefer books that feel narratively satisfying within a single volume, even if they are clearly part one, than books that feel as though they stopped more because they ran out of room than they reached a natural break point.

HORIZON by Fran Wilde

A new review over at Tor.com:

The things I’ve liked best about Fran Wilde’s Bone Universe books—2015’s award-winning Updraft, last year’s Cloudbound, and now the trilogy’s capstone, the compelling Horizonhas been the character of Kirit Densira, accidental hero, accidental city-breaker, and determined friend; the weird, wonderful worldbuilding (invisible sky-squid that eat people! enormous bone towers in which people live far above the clouds! a society based around unpowered human flight!); and the deep concern with consequences.

Horizon is all about consequences.

NULL STATES by Malka Older

Reviewed over at Tor.com:

This is a story about governance and governing, about power and systems, and the edges of both—the parts where they break, and warp, and potentially break down. Older’s gift is to make those systems fascinating and human: relevant, and easy to grasp. Well, one of her gifts: she has great skill with evoking place and its complicated histories, when her characters stay in one location long enough.

Sleeps With Monsters: The Weird West of Wynonna Earp

A new column over at Tor.com:

I didn’t know I needed a weird modern Western—complete with curses, demons, and complicated family dynamics—in my life. But apparently I didn’t know what I was missing! It turns out that this is exactly what I wanted, when it comes in the form of SEVEN24/IDW Entertainment’s Wynonna Earp, created by Emily Andras, based on the comic by Beau Smith, and starring Melanie Scrofano as the eponymous Wynonna.

World and Character in Fran Wilde’s Bone Universe

A new post over at Tor.com:

It’s long been a truism in science fiction and fantasy that the world is a character—sometimes, indeed, the central character, against which humans and other beings recede into insignificance. Fran Wilde’s Bone Universe—the trilogy comprising Updraft (2015), Cloudbound (2016), and this September’s Horizondoesn’t make the humans insignificant, but thanks to the wild, weird scope of its world, the world looms large in the reader’s consciousness—as large as the giant bone spires, high above the clouds, that are home to Wilde’s characters.

RUIN OF ANGELS by Max Gladstone

Reviewed over at Tor.com:

Although Ruin of Angels weighs in at more than 560 pages, Gladstone’s tight pacing and thriller-like narrative structure make it feel like a much shorter book—or at least a fast one. The characters are compelling, the worldbuilding batshit and complex and lush in the way I’ve come to expect from a Gladstone book. Any series runs the risk of growing stale, but Ruin of Angels is garden-fresh. It’s ambitious and epic and really good, and I look forward to reading much more of Gladstone’s work.

Sleeps With Monsters: Flying Beasts and Complicated, Amazing Woldbuilding

A new column over at Tor.com:

It all comes down to worldbuilding. Delightful, amazing worldbuilding. This is a world in which magic—the Slack, which trained people can use to manipulate the elements—co-exists with technological development. Increasing technological development in the hands of the Machinists has lead to conflict, because the magicians—”Tensors”—understand that their monopoly on doing certain things will be challenged by these developments.

A SONG FOR QUIET by Cassandra Khaw

Reviewed over at Tor.com:

A Song for Quiet is a short piece of work. So short that when I set out to review it, I wondered how much I would have to say. But Khaw has a real gift for writing truly disturbing horror with a solid core of human empathy and… I won’t say hope, exactly, but a sense that in the face of horror, persistence and humanity still matter. Khaw’s prose breaks open unsettling visions of twistedness, of things wrong and inimical to human life and sanity. (Really, it left me quite perturbed and in need of a comforting hug and a warm drink.)