So, X-Men: Days of Future Past?
It’s sexist crap. I mean, sexist even by your ordinary Hollywood blockbuster standard, which is pretty sexist already. There are some female characters in the brave band of heroes at the end of the world (and why couldn’t we have the film about the band of heroes at the end of the world?)…
…and then there’s Mystique. Who is a fucking awesome, active, badass character –
– that the film treats as a combination of Macguffin/prize for the boys with their sad manpain.
C.C. Finlay says it best:
So the world is a better place because Mystique grows and changes as a person. And when we snap back to the future, we’ll get to see a glimpse of her and how she’s changed.
Just like Mystique only functions earlier in the story as a foil for Charles’ man-pain vs. Magneto’s man-pain, she’s completely absent from the denouement. Because her growth as a character is irrelevant to the rewards that the men-folks get for a job well done.
To make up for that, here’s Trudi Canavan talking about women and epic fantasy in Australia and New Zealand.
That’s Brian McClellan’s THE CRIMSON CAMPAIGN, Trudi Canavan’s THIEF’S MAGIC, Charlie Fletcher’s OVERSIGHT, Adam Christopher’s THE BURNING DARK, Stella Gemmell’s THE CITY, and Elizabeth Moon’s CROWN OF RENEWAL.
And four here.
Followed by Kristen Britain’s MIRROR SIGHT, Ursula K. LeGuin’s THE UNREAL AND THE REAL VOLUME ONE, S.M. Wheeler’s SEA CHANGE, and Kameron Hurley’s THE MIRROR EMPIRE.
I’m seriously spoiled for choice these days…
That’s Glenda Larke’s The Lascar’s Dagger, David Edison’s The Waking Engine, David Weber’s Like A Mighty Army (I got an ARC of that back in January and reviewed it for Tor.com, I don’t know why Tor’ve sent me another copy, unless it’s just that they sense my shelves need more symmetry and silver leaf), Django Wexler’s excellent-looking The Forbidden Library, and Trudi Canavan’s forthcoming latest.
The Trudi Canavan arrived wrapped in brown paper and sealed with red wax. I preserved the wax seal of ORBIT here:
Gloomy hood cover with red wax seal.
It’s really a very cool piece of attention-getting. (And now I want a seal all of my own.)
There are also a number of electronic review copies lurking on my harddrive, and this copy of The Gospel of Loki whose review I’m working on lately. But electronic copies don’t have the same oooh shiny factor…